Monday, April 24, 2017

Drenched by Hallyu

So, I’m engulfed by Hallyu. This is the Korean Wave that has taken grip of so many parts of the world, and why not? Why ever not? 

I had read about K-dramas a few months ago and the incredible following they were beginning to have in India. Even K-pop, although that’s not quite my thing, has a cult following. I was intrigued but I hadn’t looked further.

Earlier this month, I had some time and a binge watch was due. Was it to be the next season of Suits? Or the Pakistani drama Besharam that I’ve been saving up? Netflix suggested a few Asian dramas and after a little research, I settled for Playful Kiss. So charming! I loved the experience, and have lost my heart to the hero Baek Seung Jo.

There is a rich world out there. I’ve since watched a Taiwanese drama, there seem to be quite a few Japanese offerings and I’m eager to sink my teeth into the iconic Boys over Flowers and later perhaps, Descendents of the Sun.

As it happens, I’m a prime candidate for this sort of addiction. I’m obsessive, I love television, I’m a sucker for romance and I like to sample different cultures. There’s next to nothing on the Saas-Bahu scene and this is just perfect.

Monday, April 03, 2017

Heave ho!

keep this
toss that
    spring
~Carolyn Hall


Clearly, it’s time for spring cleaning. I didn’t know but sometimes, I get a nudge. Or like now, a prod.

I have been wanting to declutter my room. The bed takes up too much room, and significance. Under the bed, I have... why, yes, stuff. So yesterday, the cots went. And I have been wringing my hands all morning over the stuff that used to lie under them. Music Cassettes.

A particularly clingy form of the past, these tapes. Old selves sticking to us like small bits of sticky tape that won’t let go unless they cling somewhere else. These boxes – some six of them – were the refined lot. We threw out a much bigger haul a few years ago but these were the precious ones.

Children today will never understand the trouble we went to to acquire our music. We couldn’t buy everything we liked. When friends and relatives had tapes we wanted, they were borrowed and copied. I remember standing two tape recorders face to face, switching off fans and other whirring machines, closing doors and imposing strict silence, while one machine played and the other recorded. Then technology improved, and we got our double-deckers that recorded internally. I made collections for Shweta, for myself... some filmi, some ghazals, a lot of classical music and qawwalis.

This morning, I hunkered down to paw through them and shook my head again over the whimsical coot I used to be. Never truly artistic but I liked pretty things. And I went to work at it with quite a lot of enthusiasm, even if no great talent. The album covers for my favourite music were never good enough for the ambience they created within me, so I would go about trying to creating the right ones. I had a bag full of greeting cards, which I would cut to size and fit into the covers. They had to match. Afternoon ragas got afternoon light and lazy pastoral scenes. Ghazals got flowers, bowers, peacocks; Talat Mehmood got a mountain and a river... and Lata Sings Ghalib got a royal, gold Mughal motif.



A few years ago, we bought a music player that was also a music ripper. I could play my tapes on it and it would store a digitised version on a USB drive. This was a god-send, and I managed to prioritise my ‘save-first’ music and convert something like a 100 cassettes of music before the player started to misbehave. I’d exhausted my drive and that’s how that stayed. Unless I got that fixed, these half a dozen boxes were just lying there, waiting for me to do something about them.

I considered it deeply. And then came to the conclusion that I would have to let them go. I might have changed my mind, but the raddiwala came right away to take the newspapers and I knew it was time. In compassionate silence, he paid me Rs 3/kg: Rs 54 for 18kg of music cassettes.
And oh, they were priceless.