न्रुपत्वदाभ्याम् नतलोक पन्क्तेः *

ए जज़्बा-ए-दिल गर मैं चाहूं हर चीज़ मुक़ाबिल आ जाए
मंज़िल के लिए दो गाम चलूं और सामने मंज़िल आ जाए
 
______
* From Adi Shankara's Guru Paduka Stotram
"Long queues of those who bow are elevated to the stature of sovereigns..."

They walk among us

Hyderabadi autowalas are, by and large, a delightful set. Chatty, warm, funny... of course, we have our cads and they're fussy as to destination, but most of them are decent chaps.

I was dropped off by friends halfway home yesterday evening and found two autos, both with snoozing drivers. I was reluctant to disturb their rest but it was late, and I didn't want to be hanging around Begumpet, so "Bhaiyya?" it was. He woke with a start, "hau, hau."
"Secunderabad chaleinge?"
"Hau, hau, chalo." He was diving into the driver’s seat with almost mindless alacrity.

I sniffed the air. "Peeke hai kya aap?!" (Have you been drinking?)
"Arre nai, Madam, aisa kaisa bolte! Aap pukaare toh pehli baar mein utha na mai? Peeke su logon ku baar baar uthana padta!" Evidently chagrined.
Ok. But I liked his lined face and we discussed destination and terms. I tried to haggle but he cut me off irritably; pay me what you think fit, I won't fight about this! Fair enough, I thought, that's my line usually.

We zipped along and after a little small talk, again: “Peeke hai kya bolke aisa kaisa pooche madam?”
I didn’t see the need for this super sensitivity and said so: “Kaiku nai poochna, bhaiyya? Mera iraada aapki tauheen karna nai tha, apni hifazat ke liye poochi mai. Galat kya hai?”
Two Urdu words in one sentence and he was impressed. Where did you learn to speak Urdu?

Then halfway there, he requests permission to speak frankly. Okay, I say.
“Aapki nazar tez hai, aap sahi pehchaane: mai peeke hi tha!”
I was unsurprised – I’d been alert anyway for traffic mishaps.
“Sharab galat nahin hai, Madam,” he assured me, “lekin kuch log sharab ka naam kharaab karte hain.”
Ok, I said, willing to indulge his argument.

Then he launched into a sher, lauding my perspicacity:

Hum ulaT'te nahi bejan kitabon ke varak
Hum wo padte hai jo chehron pe likha hota hai 

I am not used to turning the leaves of lifeless tomes
I read that which is written on living faces

“Wah!” I said, “kya baat hai!”
Seeing that I had needed no assistance in deciphering that couplet, he asked if he could recite me a sher of Allama Iqbal’s.
“Of course,” I said, “Irshad!”
“Will you understand it?” He was polite but clearly this was to be a test of the depth of my classical knowledge.
“I’ll ask you to explain if there is a word or phrase I don’t understand,” I assured him.
He threw down the gauntlet with:

Ye kainat abhi na-tamam hai shayad
Ke aa rahi hai damadam sada'a-e-‘kun faya kun’

It was not a sound background in Urdu literature or Muslim theology that had me in instant raptures over this one – merely my magpie-like assortment of random knowledge.

Creation is as yet incomplete perhaps
For incessantly comes the wave: ‘Be!’ and ‘It is’

“Do you know what ‘kun faya kun’ means?”
Yes, I did and said, “It is the original hukum or the word.”
My new friend was delighted.

What is your education, he asked me. I confessed to an MA.
And then delicately, how many children do you have?
None, I said; I have never married.

“Oh, your degree is a diploma then!” he said, downgrading me promptly.
Obviously, his values were old fashioned.
“Arre!” I protested, half-amused, “aisa kyon? Mai khud mein mukammal hoon, kisi aur se judna zaroori toh nahin!” (I am complete by myself, surely it isn’t necessary for me to partner someone else…)

He conceded the point and then had a sher for this keyword too:

Kabhi kisi ko mukammal jahan nahin milta,
Kahin zamin toh kahin aasman nahin milta… 

No one has ever achieved a complete perfect world,
Here the earth eludes us, there heaven

(Link to another post on this sher)

I don’t hold with that one, I told him. The poet is simply faint-hearted.

He laughed out at that and said oh, you are like this then:

Khudi ko kar buland itna ke har taqdeer se pehle
Khuda bande se khud pooche bata, teri raza kya hai! 

Elevate yourself so high that at every turn of destiny,
Even God might ask, ‘Speak, what is your will?’

Absolutely, I said.

Sorry for boring you, he said to the end. “Shayari se hum bore nahin hote,” I told him. He agreed: “Bada sukoon wala junoon hai.”

He asked for my name at the doorstep, and told me his.
Sheetal bibi, he called me, 'Sheetal bibi' with such affection as he said Khuda hafiz and shabbha khair.

हुई शाम

बेक़रारी सी बेक़रारी है
दिन भी भारी है, रात भारी है

Watching the wind

Did I say this place was windy? Yes, I did. Let me say it again. W.I.N.D.Y.
Doors are opened with great circumspection. Some wind corridors are so gusty, I sometimes can't advance till the currents let up. I tried to hang a few clothes today on the clothesline and had to stand IN the bucket to keep it from flying away; and what a struggle it was to keep the sleeves from lashing at my face!

I was sitting on a stone bench a couple of days ago, at dusk. The gales dropped for a bit and then, as I watched, I could see the breeze approach. It reminded me of this pretty, very appropriate haiku by Brad Bennett.

watching
the wind arrive
tree by tree

That's more or less what I've been doing this month.

Winds of Change

So, I blog from a new home. After four years with Isha Foundation (at least three quarters of which my sister spent at the Isha Yoga Center at the foothills of the magnificent Velliangiris), we knew this was going to last. We applied for more permanent lodgings at the ashram and we moved in this month. I will now be able to come oftener, stay longer and not wait for an occasion to visit this blessed place. I have indulged myself by coming to stay without a return ticket booked and I can’t tell you how chuffed that makes me feel.

The Velliangiri hills are a wild place. Wild holy men, wild elephants, wild winds. And our building is quite at the edge of habitation. Our bedroom window opens eastwards, looking upon a brook, fields, wilderness, coconut groves and hills. Last fortnight, Shweta had a wild boar sniffing under the balcony, and spied a black-naped hare twice; yesterday I caught sight of a mongoose trundling along the wet mud. Lots of birds – bold white headed babblers, swifts, bee-eaters, robins, bulbuls, lapwings... and an abundance of butterflies.
And of the Grace that cascades down these mountains, I cannot speak, because it is beyond speech.

Today is the summer solstice. This season – I’m so lucky to be here at this time! – Sadhguru calls “the annual fest of the wind”. He says, “Sometimes, the winds are coming down from the mountain at 120 kms per hour. These are winds of change; we are shifting from Uttarayana to Dakshinayana. A significant change in the way the planet’s energy spheres operate. The winds are significant as a symbol of blowing away the past and beginning a fresh cycle of sadhana. Very significant for all spiritual seekers.”

And believe me, the gales are very purposeful. This is the first time I’ve actually heard wind howl, the doors and windows are being rattled constantly, we’ve lost our doormat, we've had to retrieve our dustbin from the floor below, and I’ve had to reassemble our coconut-stick broom after the winds had hacked it quite furiously. Anything that isn’t nailed down goes with the wind. It's exhilirating.


A few views:

View from the balcony

From the bedroom

Dawn breaks over our patch of the earth

Rain so dense you can't see a thing

हम खता ही खता

था उन्हे भी मेरी तरह जुनूँ तो उनमे मुझमे ये फ़र्क़ क्यूँ?
मैं गिरफ़्त-ए-ग़म से ना बच सका, वो हुदूद-ए-ग़म से गुज़र गये

Two of me

I’ve been wondering what triggered it off. Has the direction of the sunlight changed, giving the birds a more reflective view; or was there a peculiar cloud cover that enhanced visibility? Because the car stands exactly where it has stood for years. Or perhaps it’s just this one narcissistic bulbul who finds his own image fascinating.

He has been making loving noises to himself all morning and oh, goodness, there is bird poop all over my rear window mirror.

Edited to add:

Aasheesh Pittie from Indian Courser is telling me the noises my bulbul makes are far from loving - this is territorial aggression, except, of course, mistakenly directed at his own image.
I think I'll dust off some 'raqueeb' shers.

विनती

सूर कहे, श्याम सुनो... शरण है तिहारे
अब के बार पार करो, नंद के दुलारे...

The Heart of Summer

I worried this morning at the torpor that had overcome me. What did I do wrong? Was it the food that I ate? Was I unwell? It was a stupor that should send off warning alarms to any sadhaka – subject though we are to the three gunas, it is best that we keep our states hovering at Sattva. I accept that Rajas is sometimes inevitable but Tamas is deadly, and unacceptable.

I did have rice last night but very little… about a quarter of the quantity I happily consumed every night in my former life without any ill effects whatsoever. But now the system has become so sensitive; it responds so promptly, so unequivocally, it calls for tight discipline.

But that can't account for it fully, and I’ve now decided that this stupid lethargy must be the heat wave. I happened to go out walking twice yesterday and it has been torrid across India this fortnight. Everyone has been miserable.

Less from tradition and more from a need to exclaim over it, I find I make an annual ‘agni nakshatram’ post. Counting the days, counting down to the rains… in spite of wanting to be stoic about it, the last days of May defeat me.

But there is a haiku to go up. Poet Brent Partridge puts down an inscrutable little gem:

as much forever
as we've got—
the heart of summer

Does he mean what I think? Is he talking of the interminable way in which summer stretches out? Or that this intense season so forcefully pins you to the moment that you glimpse eternity? I can’t say. But I like poems no less because I can’t understand them.

===
A few hot blasts from the past:
http://sheetalvyas.blogspot.in/2013/02/daunted.html 
http://sheetalvyas.blogspot.in/2010/05/dog-days.html 
http://sheetalvyas.blogspot.in/2008/06/i-wait.html
And, a re-up of a Senryu I'd written.

Behroopia

मैंने एक मुस्कान सजाकर राज़ को पर्दा दिया
प्यारा तुझे है मेरी सूरत से मेरा नक़ाब पिया…
ज़रा सा है फर्क पिया…

Reporters: First Impressions

Cross-posted from Critical Mass

======

We – a group of childhood friends I grew up with, my mother, my sister and I – have been huge fans of Pakistani serials ever since we came across them. They seized our imagination and we sighed over how subtle they were, how same-same and yet how different! Naturally, Dhoop Kinarey held pride of place in our hearts. We binge-watched the whole series – a thing, let me tell you, that is very difficult to do with a large group belonging to three different households. Ours was the drawing room that hosted this orgy, and we would break reluctantly for meals and other necessities, enduring some rather uncomplimentary comments from everyone who wasn’t involved.

This was to show our history, and the extent of our nostalgia with Pakistani serials, particularly this one. So a few years ago, when production house Director’s Kut announced that they were going to remake it (with permission and blessings of the original makers) as an Indian soap, we were both fascinated and aghast. As we feared, Kuch toh log kahenge didn’t work too well; it couldn’t have. Kritika Kamra was perfectly cast, but Shweta and I were particularly unhappy with the choice of hero. Mohnish Bahl as an Indian Dr Ahmer Ansari… no! We were casting about mentally for someone else who could have done something approaching justice. It should have been Rajeev Khandelwal, I said. Shweta (passionate and intense about almost all matters) all but doubled up in agony at the hallucinatory nature of the prospect. Oh, why didn’t they think about it, she groaned, and declared the pairing looked so right in her mind, she couldn’t watch the soap after all!

That dream comes somewhat true now. Sony TV’s new series Reporters is just about 20 episodes old, it packs a punch and ta da! it has as its lead pair the evergreen Rajeev Khandelwal and effervescent Kritika Kamra. And the chemistry is everything we hoped and knew it would be.



Of course, Reporters has nothing to do with Dhoop Kinarey, but there are parallels. Like Dr Ansari, Kabir Sharma is her superior, and considerably older. And Kritika Kamra, even more in Reporters than she did in Kuch toh log kahenge channels that free spirit, that foolhardy courage that epitomised Zoya Ali Khan.

Reporters is exciting for many reasons. It sets itself backstage of television news as it is today – amidst a horribly-gone-wrong recipe of hysterical melodrama, screechy sensationalism and narcissistic anchors. The series is able to borrow so many aspects from real life that it strikes a chord at once.

As the series begins, star journalist Kabir Sharma makes the transition from print to television. He is ambitious, thirsty actually, for fame and success. We get a hint that he has a point to prove to someone. Ananya Kashyap, cub reporter at KKN, has long hero-worshipped Kabir – she is young, a touch naïve, very idealistic and starry eyed.

It is my reading that she intersects Kabir’s career at precisely the right moment – he is hell bent upon doing anything he can to achieve professional glory. Without Ananya’s questions, without her innocence to check him… he would have gone over to the dark side, and yet retained enough humanity for self loathing. But she is here and here we are… to sit on the sidelines and see the battles between pragmatism and idealism, professionalism and conscience, between experience and naiveté. To see each temper the other. And to wonder if they can come together to become something better.

It may be too early to speak but so far, it has been fascinating. The star power of the leads is compelling, the support cast varied and charismatic, the writing is detailed and nuanced, and the plotlines are engrossing.

Every episode ends with a small, direct comment from Kabir Sharma – sometimes he argues for sensitivity, sometimes for toughness, sometimes he remarks on the integrity we’re losing in every sphere of our lives. In that very style then: jaane se pehle, Reporters seems to have its heart in the right place.

Pendulum

Swinging from left to right, but aiming, on the whole, for dead centre.