Thursday, November 24, 2022

TN Tour 6: Divya Desam

It took us a while to get settled in at Kanchipuaram till we got allotted a room that suited us. A late lunch and coffee at the Saravana Bhavan down the street meant that it was only after 5pm that we set out.

The Kamakshi temple was within walking distance. We were asking for directions and negotiating the lanes that would take us to her, when we came upon another temple. We entered, not knowing where we were. However, Kanchi has such a wealth of shrines, I doubt you could throw a peanut and not hit hoary legend. We had somehow chanced upon the fabled Ulagalanda Perumal Temple. 


There are 108 ‘divya desams’ in the Indian subcontinent dedicated to the Lord Vishnu – these are spots that have been extolled in song and verse (mangalasasanam) by the 12 alwars, Tamil Nadu’s most revered poet-saints. This temple – the Ulagalanda Perumal complex, where Vishnu is worshipped as Vamana, the dwarf avatar who vanquished King Bali – houses not one but in fact four divya desams.

My father tells me that ‘ulagam’ is Tamil for the world, ‘alandha’ is ‘the one who measured’ – therefore Ulagalanda Perumal. You know the story of the asura king Mahabali, of course, in which the Lord, in his vamana or dwarf avatar, asked the king for three paces of land. When Mahabali had acquiesced, Vishnu assumed gigantic proportions. One step he took from heaven to earth, the second from earth to the netherworld and asked Mahabali where he should place his next step. The King, bound by his promise, offered his head. He was pushed into the netherworld and the Lord gave him sovereignty over Patalaloka. 

Vamana by Keshav @Krishnafortoday

The main shrine has the most breath-taking relief in black stone depicting Vamana with one leg held aloft to span the skies. It is believed to have been built by Pallavas, with later contributions from Medieval Cholas, Vijayanagar kings and Madurai Nayaks.

My breath hitched with some resonance in the temple. The worship was ardent but apart from the central shrine, the rest of the temple, the outer mantapam etc is rudely maintained, unkempt and messy. A temple of this antiquity, this stature not getting its due attention is simply saddening. It is, of course, under the grip of the notorious Tamil Nadu Hindu Religious and Charitable Endowments Department (HR&CE) – an authority reported to have been so corrupt and inept over the decades, it is in the process of destroying all remnants of this valuable civilization.

This was another strain that threaded our whole journey. On the one hand, we were blown away by the sheer force that the deities still wield, by the throbbing bhakti that has been kept up, in the face of monumental odds. On the other, we were frequently moved to grief at the dilapidation, the criminal neglect, the apathy… In some cases, it was callous disregard, in some others, the utter lack of understanding of what the whole temple complex represents, how it works not as ornamental levels or grandiose architecture but as a subtle energetic mandala.